Painting Portfolio
Watercolor and Acrylic
Blue Ridge Sunrise
11 x 14, acrylic on canvas. Private Collection.
The sun kisses the mountains as fall colors shift along the Blue Ridge Parkway.
The Hands We're Dealt
Watercolor on Arches Paper, 22x30
Painted during a difficult time in my life where it seemed like nothing was going in my favor. Sometimes the hands life deals to us aren't favorable, but you have to play the game and hope your high card wins.
Helene
11x14 acrylic on Arches paper
Currently on exhibit at the North Carolina Museum of Art.
My Mamaw Clare during a day that no one in Western North Carolina will be able to forget. Rain kept falling. The river kept rising.. Trees kept falling. Mud kept sliding. And all anyone could do was watch.
Before the Bonfire
2017, acrylic on unprimed wood, 3ft x 5ft
A scene from my youth in Appalachia before our Friday Night bonfire: a shared ritual of rural life where community, land, and labor are inseparable. Painted on salvaged wood from the dumpster, the material aligns with resourcefulness grown from scarcity—Fires on the farm because they were free (and there was little else to do.) Everyone welcome.
I Hope There's Tennis Balls in Heaven
16x20 acrylic on canvas.
Private Collection.
Jimi
16x20 acrylic on canvas. Custom commission.
John
16x20, acrylic on canvas. Custom commission.
Zach and Becca
Acrylic on arches paper, 9x12. Wedding gift. 2025.
Glenn's Cabin
2017, acrylic on canvas, 3ft x 5ft.
This piece was created as my family was forced to sell our family’s land and the cabin my Papaw had built by hand. Memories of growing up there—camping, cooking out, and listening to live bluegrass music—are deeply woven into this work. While Mamaw Freda slept inside the cabin, the cousins stayed up late shooting fireworks, telling scary stories around the fire, and eventually falling asleep on blankets spread across the porch.
The somber, muted color palette reflects the grief and heaviness tied to losing our family land, and the knowledge that no new memories will ever be made there. The painting serves as both a remembrance and a quiet mourning of a place that shaped my childhood and sense of home.
Wilson Dairy
16x20, acrylic on canvas. Custom commission. 2017.
For Destiny
16x20, acrylic on canvas.
Painted at the request of my cousin Destiny during her terminal battle with cancer. This very special piece was auctioned off at a fundraiser for her medical bills and later donated back to her before her death in 2023.
PINK
16x20, acrylic on canvas, 2023. Part 1 of a VW / Shoes series. Boots and Busses.
YELLOW
16x20, acrylic on canvas. 2023. Part 2 of a VW / Shoes Series. Birks and Beetles.
BLUE
Part 3 of a VW / Shoes series. Featuring Air Jordan 1's on top of my personal 1972 Beetle.
GREEN
16x20, acrylic on canvas. 2023. Part 4 of a VW / shoes series. Featuring a vintage Beetle, classic Vans, and the Linn Cove Viaduct along the Blue Ridge Parkway in WNC.
Fairytale Wedding
11x14, acrylic on Arches Paper. 2025.
Husky's Beach Day
16x20, Acrylic on Canvas. 2023. Custom Commission.
Bakersville
11x14, acrylic on canvas panel. 2014
Meet Me At The Post Office
2018, acrylic on canvas, 16 x 20 in.
This stylistic painting depicts a place that, somewhat humorously, played an outsized role in my formative years: the Plumtree Post Office. Growing up in Rural Appalachia with little to do, and without even a store parking lot to gather in, this building became our unofficial hangout after the “No Loitering” sign mysteriously disappeared from the brick. We parked and waited for someone to pull in, talked late into the night, met up with girlfriends and boyfriends, held impromptu “car shows,” and smoked cigarettes (Sorry, Mom!) on the "back porch."
At the time of its creation, I did not realize the weight this painting would eventually carry. The original building was later destroyed by Hurricane Helene, and its remains were removed by construction crews, transforming the work into an unintended record of a place that only exists in memory.
Dad and Sam
8x10, 2019. acrylic on canvas. A gift for my dad after the passing of his own dad.
4 Seasons, Acrylic
4 separate 11x14 canvases. 2022. The Linville Viaduct in Spring, Summer, Fall, and Winter.
Josh's Basement
18x24, Acrylic on Canvas, 2018. A brief invitation into a typical night during my late teens and early 20's, a crew of friends gathered in an unfinished basement.
Vincent van Yosef
Restored Bass Guitar, 2017. Starry night style landscape featuring the Yosef statue and the Appalachian State west campus.
Nude Study
16x16, 3 hour live painting study. 2017. Acrylic on canvas
RCOE
18x24, acrylic on canvas, 2019. Appalachian State's College of Education
Lives Blending
16x20, acrylic on canvas. 2022. Custom wedding gift.
Krege
Custom commission, 16x20, 2021. acrylic on canvas.
Krege Home Commission
Watercolor, 11x14. 2022
Grandfather
Custom wood panels for a wedding venue. Apprenticed by art student Becca Sheppard.
G+L=4EVR
Wedding custom. 16x20, acrylic on canvas. 2021
Starry Neers
Restored bass guitar, 2017. Appalachian State in the style of Vincent Van Gogh. (2025 Staff ID photo)
Cat Nap
8x10, 2018, acrylic on canvas.
Psalm 23
3ft x 5ft. acrylic
Grandfather
SPF 100
18x24, acrylic on canvas. 2018.
Posty
16x20, 2020, acrylic on canvas. Pop Psychedelic Expressionism -- Post Malone
Make Me A Sandwich
18x24, acrylic on canvas. Part of a 'GRLPWR' series.
APPALACHIAN STATE BEATS MICHIGAN
Depiction of New York Times magazine cover of the biggest college football upset of all time. I do not own the rights to this image. 18x24, acrylic. 2020.
Friendship
16x20, 2021. Symbolic gift.
Inverted Adam
218x24, acrylic on canvas. Surrealism. 2017
Blue Ridge Buddy
Custom Commission, 16x20, acrylic on canvas. 2023
Still life
2017, Still life study in studio. 18x24 acrylic on canvas.
The Punk Guitarist
2016. 8x8, acrylic on Bristol board. Parody 1 of Picasso's Old Guitarist.
The Punk Bassist
2nd Parody of Picasso's Old Guitarist. 2017. Acrylic on Canvas. 18x24.
Private Collection.
Luna
3ft x 5ft, A typical teenage night with my best friend in rural Appalachia, 2018
Hanging On
Selected to paint for the private Chancellor’s Residence Collection at Appalachian State University in 2018, this painting depicts Duck Pond Field for those who remember it, capturing the first snowfall of the season settling over fallen autumn leaves. I imagine students sledding down the hill on lunch trays, a familiar winter ritual on campus. If you look closely, you’ll spot my Jeep Wrangler parked in the “30 Minute” spot—which is why the title was almost Parking Ticket.
The Kiss
8x10, acrylic on canvas. 2017. Private collection.
Beech Ski
A study of Ben Rad's artwork in acrylic-- not my original concept-- NFS
CES / ASU
Watercolor, 11x14, 2024
Kelby and Kenzie
Watercolor, 11x14, 2022
